Showing posts with label art show. Show all posts
Showing posts with label art show. Show all posts

Wednesday, February 4, 2009

"Metrimorphic III," My New Exhibit of Abstract Expressionist Paintings




These are some of the paintings I've just hung in the beautiful gallery at Harborfields Library on Long Island. My last solo show was curated, but I had to hang this one myself. My husband helped out. We hung 28 paintings in about three hours. I missed the fun and excitement of hosting an Opening Reception for this exhibit, but chose not to have one because of the time and expense involved. We have a lot going on, and I'd rather not be scattered in too many directions. (Well, to tell you the truth, we already ARE scattered!) As you know, we humans hold serenity at a high premium. It's hard to come by.

Without a reception, I won't get as much feedback. During the hanging and when I went back to fasten the labels by each painting, I did get to see some folk's reactions to my work. I'm happy that those particular people expressed a lot of enthusiasm. Especially the children who walked past with their moms. I love to hear, "Mommy, look!" in excited tones, accompanied by smiles and excited gestures. I take a simple joy in the fact that kids seem to love the colors and wild forms in some of my pieces. Maybe the child in me is still kickin' around, somewhere deep inside?

By the way, I have a post planned on the topic of personal equilibrium and serenity, but that's for a later date. Thanks for checking out my slide show!

All images and text c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can choose from several sizes and paper types or buy my prints plain or matted and framed.

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Monday, February 11, 2008

The Opening of My Show "Peripheral Vision"


On Saturday afternoon my solo painting show opened at the Alfred Van Loen Gallery at South Huntington Library on Long Island. The weather was overcast and chilly, but not especially wintry. We had a great turnout, and the show was beautifully curated by Deborah Katz. Of course my paintings look a whole lot better on the large and well-lit walls of a beautiful gallery than they do crowded onto my walls at home. My thanks to all my visitors and to my blogger friends who sent their best wishes!


One of my favorite moments was actually on Friday, when Deborah and I were hanging the show for Saturday's Opening. Two adorable kids came through the gallery with their mother, and I heard them utter "Oooh, Mommy!" in excited voices, as they pointed at one or another of my paintings with huge smiles on their faces. It seems they loved my colors! Now there's my most enthusiastic audience, I thought! Maybe I haven't lost the child in me, after all!


I had to wonder how such a tiny tot as this little boy could respond to a totally abstract work like "The Garden in Spring," seen here, with such apparent delight.


Whatever the reason, I enjoyed his reaction and it made me feel good that for this child at least, my work was fun to look at. In this photo, the two tots are checking out my painting "Oceano."




And here is Deborah Katz, hanging "Cerebration." I can't tell you how many times she was up and down that ladder, and I was exhausted, just watching her. (I did help her hold up and align the paintings, but stood back to get this shot.)




This is the Alfred Van Loen Gallery, a beautiful space with curved walls and attractive lighting. The wall to the right, not visible in this image, holds many of my paintings. The larger paintings are hung with more space around them, because of their bold and bright colors and active forms.





Here are a few of my guests. I knew many of them, and since there were quite a few faces I couldn't identify, I'd say that 85-100 people appeared at my Opening between 2:00 and 4:00. I had wanted to take more photos, but when the room became crowded, I found myself running around like a chicken without a head, greeting people and talking to friends. And naturally, every time I pointed my camera, someone walked in front of it. (Those are the times when I become aware that I'm a short person, lol...)



Many people approached me to tell me which work or works they liked the best, and that was gratifying. And at least five or six of them asked questions like "Did you take a class on how to name your paintings?" Although they were kidding about taking a course in title-making, there seemed to be a consensus that my titles were apt and well-chosen. Many folks told me they were amazed at how well they fit. To me this meant that the mood, emotion, season or natural phenomenon that the painting evoked for me, was also perceivable to them. It's interesting that abstraction can convey certain impressions or ideas this way, since it lacks literal or objective meaning and has a high level of ambiguity that leaves the mind free to find its own interpretation.


It didn't snow on the day of my reception and the food, catered by a local supermarket, was very good. By the time 4:00 rolled around, I was desperate for some of those bakery cookies, but they were all gone! I didn't get even one of them!


A good friend of mine whom I know since the seventh grade came from New Jersey with her husband, to have dinner with us. For me it was a happy day and although it was fun, I'm glad the Opening is over! (I didn't make my change-over to a "fly on the wall" in time...)


Thank you for sharing a bit of my show with me. I hope you've had a good week!

To view more of my art, please visit www.lyndalehmann.com

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Sunday, January 27, 2008

Peripheral Vision

"PERIPHERAL VISION," a solo show of my abstract acrylic paintings, opens at the Alfred Van Loen Gallery at the South Huntington Library in South Huntington, NY, on February, 9, 2008, and will run through March 6. The Opening Reception is from 2:00-4:00 p.m. and the show will be curated by Deborah Katz.

Hoopla - 48" x 60"

STATEMENT: My paintings are energetic, active if not frenetic, and complex. I feel they reflect the complexity and mutability of personal consciousness, as well as the impermanence of what we call “objective” reality. My work exhibits order within chaos, much as we experience a certain order within all the complexity and disorder of both civilization and the natural world.

In my paintings I prefer the ambiguity, freedom and musicality of abstraction. My work is as chaotic as waves breaking on a beach or a swelling cloudscape impinging on a changing horizon. Reality is relative, not fixed. What we call “reality” does not exist in any absolute sense, but only in increments of change. I see the nuances of my subjective reality not in subtle tones, but in patches of bright, swirling color. For me the act of painting is a dance; it connects me to elemental and primordial forces underpinning my life experience. Each time you view one of my paintings, you are likely to see something different, just as in the changing paradigms of the human condition.

As a child I was a “tomboy” and chose active encounter with nature as the platform for my expression of wonder and joy. As active as I was, a quiet part of me savored any kind of visual phenomenon. As an adult I still delight in encounter with nature and love to photograph and write about the beauty I find there. But I also choose to express through form, movement, gesture and color, my own internal reality. This is my way of staying in touch with the wonder of childhood. I feel fortunate that my life has been marked by what I consider to be a profound awe and joy of being.

Oceano - 40" x 40"

Thanks for reading a long post and for sharing this with me. I'll try to take some photos at the show and post them! Since you can't come to the show, please visit http://www.lyndalehmann.com/ to see more of my art!

Cosmos - 36" x 30"

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