Intrusion of Linear Elements
Dream of Red
Circus Balls
It's good to be back. My husband and I are always so busy with projects, being the do-it-yourself types. Doing construction and home renovation with your own hands, brings the freedom to pursue new options, but not without a cost. The cost is that the agenda is always intimidating, if not overwhelming. So be it...
I haven't been able to paint in months. My most recent art project was to size, print, mat, and bag about 200 prints for a local coffee shop.
I've finally had time to sit down at the computer. Smitten with the painting bug late in the evening, my only recourse was to turn to digital art instead of breaking out all the smelly, messy acrylics.
The nice thing about digital art is that you can do it almost anywhere that you can sit with a laptop or notebook computer, instead of requiring ample studio space and ventilation. And with iterative "saves,"one can easily squeeze multiple images from the same "mother" image. The possibilities are endless.
Here you see three images borne of the same original "source" image. I'm able to work with brilliant color which I so love, and texture, to create my visual experience.
I've heard some pigment painters object to digital painting because "you can't see the track" of the painter's hand and arm, the "touch" and physicality of it. But I don't think that's true. Surely it IS different, but not altogether. Using a touch-sensitive stylus with a graphics tablet can create many effects and communicate many nuances. Okay, so you won't have the richness and "presence" of impasto, but in my opinion, the effects done with the digital pen can be just as visually compelling.
I haven't been able to paint in months. My most recent art project was to size, print, mat, and bag about 200 prints for a local coffee shop.
I've finally had time to sit down at the computer. Smitten with the painting bug late in the evening, my only recourse was to turn to digital art instead of breaking out all the smelly, messy acrylics.
The nice thing about digital art is that you can do it almost anywhere that you can sit with a laptop or notebook computer, instead of requiring ample studio space and ventilation. And with iterative "saves,"one can easily squeeze multiple images from the same "mother" image. The possibilities are endless.
Here you see three images borne of the same original "source" image. I'm able to work with brilliant color which I so love, and texture, to create my visual experience.
I've heard some pigment painters object to digital painting because "you can't see the track" of the painter's hand and arm, the "touch" and physicality of it. But I don't think that's true. Surely it IS different, but not altogether. Using a touch-sensitive stylus with a graphics tablet can create many effects and communicate many nuances. Okay, so you won't have the richness and "presence" of impasto, but in my opinion, the effects done with the digital pen can be just as visually compelling.
I hope everyone had a happy and fulfilling Mother's Day, and I look forward to catching up with you!
All images and text c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can choose from several sizes and paper types or buy my prints plain or matted and framed.
