Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts
Friday, February 10, 2012
New Pillow Designs at my Watersky Shop at Zazzle!
Saturday, June 11, 2011
No Illusions, Pulse of the Motherboard, In the Balance and Rising Green: New Digital Abstracts
Tuesday, April 5, 2011
In Praise of Abstraction
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| Metrimorphic III - c Lynda Lehmann |
But abstraction can be richly layered and full of ambiguity and mystery that yields fresh nuances of visual experience with each viewing. To me, abstract art comprises a rich, multi-dimensional experience because it doesn't cater to the constraints of time and place. The new visual experience it presents is of value in and of itself, and does not require a literal meaning in the usual sense. As a matter of fact, it may call on the viewer to be a more active participant in the viewing, because it reaches beyond our usual scope of perception and lends itself to the subjective reality of each viewer. Art does not need to refer to political or religious ideologies, or even the continuum of human emotions and experience, to garner its meaning. It simply is, and therein lies its meaning. And to me, abstraction is very compelling in its visual (and emotional) richness.
As for the "skills" part of the equation, Kandinsky (among others) manifested a high level of both imagination and skill that many realists don't possess. I wanted to post some of his images to illustrate the point of this post but because of copyright issues, had to use one of my own, instead. Compelling abstraction is difficult to achieve, often involving both concept and great discipline that match or exceed many realist paintings.
NOTE: I first wrote this as a response to a discussion on Robert Genn's Painter's Keys site. You can read his original letter and the responses, including mine, here. While you'e there, you might want to sign up for Robert's thought-provoking newsletter.
All images and text on this blog are copyrighted material, and may be used only with written permission, except where syndication rights have been granted. All other rights reserved. Please visit my primary site at http://www.lyndalehmann.com/gallery if you would like to see my acrylic paintings and more of my photography and digital art. I hope you enjoyed your visit to my blog!
Thursday, March 3, 2011
New Abstract Painting: Byzantine Blues
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| Byzantine Blues - Lynda Lehmann c 2011 |
"Byzantine Blues" is one of my recent series of small paintings, just 11 x 14 inches. It's one of those paintings whose name seemed to arise out of the ether as I finished it. While my title does not really fit the definition of Byzantine, I still like it for this work. Since it's my painting, I guess I can call it whatever I wish! One of the added joys of making art is the freedom to associate ones image with words and name it thus. That is, to see an image in your own unique way.
Thursday, February 10, 2011
New Abstract Painting: Pragmatic Red
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| Pragmatic Red - c 2011 Lynda Lehmann |
The other day I set out to do a subtle painting. As you can see, I failed miserably.
When I paint, what happens most often is that the paint takes over and tells me what to do. Not literally, of course. The paint doesn't have a voice. But it speaks to me through it's character as it emerges out of the tube. Color, consistency, and (unfortunately) smell, all stir my senses into an excitement as real as if I were watching a horse race or awakening as a child does on Christmas morning, heart aflutter and with a gleam of happy expectation in her eyes. I begin to paint and the volitional part of the process gives way to the subconscious, intuitive part.
So here you have my most recent result, in this 18 x 24 inch acrylic painting that I'll call "Pragmatic Red." The title is a bit of an oxymoron, as there's really nothing practical about creating such a bright and intense painting. It's done for the joy and fulfillment of the artist and for whomever is willing as a viewer, to embrace his or her kind of work.
An intricate under-painting shows through the surface, a sort of "iconography" showing through the top layer. An artist friend said the image reminds him of a "mother board." I'll go with that for today. That's the nice part about abstract art: you can see something different in it each time you look. Different from realism, in which the specifics of time, place and context are spelled out for the viewer, the abstract engages the viewer's imagination and calls forth a more active participation. What might this painting represent, if anything? Or is it a visual experience that can't be classified?
Actually, it's simply "The Visual Experience" that I'm after in my pursuit of painting. As long as it's fresh and new, it can bring stimulation, surprise, and visual joy to my world.
–noun ( sometimes initial capital letter
)
1.Fine Arts . a nonrepresentational style of art developed by agroup of Russian artists principally in the early 20th century,characterized chiefly by a severely formal organization of mass, volume, and space, and by the employment of modern industrial materials. Compare suprematism.
While I often paint in a style that might fall under the category of Expressionism, I would say that this piece could be seen as a sort of embellished Constructivism. But the label doesn't matter. It's the Visual Experience that counts!
While I often paint in a style that might fall under the category of Expressionism, I would say that this piece could be seen as a sort of embellished Constructivism. But the label doesn't matter. It's the Visual Experience that counts!
Most of us enjoyed looking through kaleidoscopes of different sorts when we were kids. To me, painting is the same kind of exploration of the visual phenomenon. I do it in the spirit of adventure--and the willful abandonment of the more mundane aspects of my daily world.
What attracts your eye in the spirit of exploration and childlike joy?
Saturday, January 29, 2011
Ice Abstract: Nature's Subtle Palette and Dynamic Design
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| Ice Abstract - c 2011 Lynda Lehmann |
Thursday, January 20, 2011
Ponderosity: From My New Series of Small Abstract Expressionist Paintings
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| Ponderosity - Lynda Lehmann c 2011 |
An artist friend recently told me that she likes my black and white paintings and I had to ponder on the appeal of black and white.
1.
of great weight; heavy; massive.
2.
awkward or unwieldy: He carried a ponderous burden on hisback.
3.
dull and labored: a ponderous dissertation.
Wednesday, November 10, 2010
"Magic Lamp" Silk Scarf Designs
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I'm excited to report that my "Magic Lamp" images will be among the designs made from my digital paintings, that will become available in the coming weeks for purchase at Designer Scarves by Marlena!
Many thanks to Marlena and Bob Burger for inviting me to add my designs to their catalog of fine wearable silk art! I love color, so I can't wait to purchase one for myself and wear it. I'll post the link when my designs go online, so you can see them and give me your opinion.
These damp, gloomy autumn days can sure use some color, especially after the foliage has turned brown and no longer creates its seasonal magic!
All images and text on this blog are copyrighted material, and may be used only with written permission by the author/artist, except where syndication rights have been granted. All other rights reserved. Please visit my primary art site www.lehmann.myexpose.com/ if you would like to see my paintings and more of my photography and digital art.
Tuesday, July 20, 2010
The Metaphysics of Cloth

The Metaphysics of Cloth - c Lynda Lehmann
This 9" x 12" watercolor reflects my fascination with finding beauty in the transient and accidental, such as the folds of a towel or laundry dropped on the floor, and resonates with my general love of texture and topography. I see texture as the most universal and ever-present level of form. This is one of my older paintings.
I have long been wanting to re-visit the idea of a series like this: many different, flowing and graceful configurations of cloth. I'm finding it really difficult to work towards all my goals, but I know that I'm fortunate to have a number of compelling creative interests (even if they drive me crazy!)
I haven't posted in more that two weeks, because we've been very busy with home-building and renovating projects, as we are each summer. And our daughter is getting married next week, so that is a real sea-change life event. I'm fighting the inclination to feel "very old!" I'm joyous for her, but also feeling a bit melancholy. Where have the years gone?
I hope you are all well, not feeling too uncomfortable with this summer heat, and finding time to pursue your passions. I hope to return to blogging more regularly in August. See you soon!
All images and text on this blog are copyrighted material, and may be used only with written permission by the author/artist, except where syndication rights have been granted. All other rights reserved. Please visit my primary art site www.lyndalehmann.com if you would like to see my paintings and more of my photography and digital art.
Labels:
"original painting",
abstract,
blue,
cloth,
curves,
fabric,
flowing,
folds,
graceful,
non-objective,
sensuous,
tactile,
texture,
topography "Lynda Lehmann",
watercolor
Tuesday, May 11, 2010
Circus Balls, Dream of Red, and Other Digital Paintings

Intrusion of Linear Elements
It's good to be back. My husband and I are always so busy with projects, being the do-it-yourself types. Doing construction and home renovation with your own hands, brings the freedom to pursue new options, but not without a cost. The cost is that the agenda is always intimidating, if not overwhelming. So be it...
I haven't been able to paint in months. My most recent art project was to size, print, mat, and bag about 200 prints for a local coffee shop.
I've finally had time to sit down at the computer. Smitten with the painting bug late in the evening, my only recourse was to turn to digital art instead of breaking out all the smelly, messy acrylics.
The nice thing about digital art is that you can do it almost anywhere that you can sit with a laptop or notebook computer, instead of requiring ample studio space and ventilation. And with iterative "saves,"one can easily squeeze multiple images from the same "mother" image. The possibilities are endless.
Here you see three images borne of the same original "source" image. I'm able to work with brilliant color which I so love, and texture, to create my visual experience.
I've heard some pigment painters object to digital painting because "you can't see the track" of the painter's hand and arm, the "touch" and physicality of it. But I don't think that's true. Surely it IS different, but not altogether. Using a touch-sensitive stylus with a graphics tablet can create many effects and communicate many nuances. Okay, so you won't have the richness and "presence" of impasto, but in my opinion, the effects done with the digital pen can be just as visually compelling.
I haven't been able to paint in months. My most recent art project was to size, print, mat, and bag about 200 prints for a local coffee shop.
I've finally had time to sit down at the computer. Smitten with the painting bug late in the evening, my only recourse was to turn to digital art instead of breaking out all the smelly, messy acrylics.
The nice thing about digital art is that you can do it almost anywhere that you can sit with a laptop or notebook computer, instead of requiring ample studio space and ventilation. And with iterative "saves,"one can easily squeeze multiple images from the same "mother" image. The possibilities are endless.
Here you see three images borne of the same original "source" image. I'm able to work with brilliant color which I so love, and texture, to create my visual experience.
I've heard some pigment painters object to digital painting because "you can't see the track" of the painter's hand and arm, the "touch" and physicality of it. But I don't think that's true. Surely it IS different, but not altogether. Using a touch-sensitive stylus with a graphics tablet can create many effects and communicate many nuances. Okay, so you won't have the richness and "presence" of impasto, but in my opinion, the effects done with the digital pen can be just as visually compelling.
I hope everyone had a happy and fulfilling Mother's Day, and I look forward to catching up with you!
All images and text c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can choose from several sizes and paper types or buy my prints plain or matted and framed.
Monday, November 2, 2009
Consciousness
I'm in the process of preparing a longer post, but thought I'd share one of my new digital paintings with you in the meantime. I will be able to post more in the coming weeks, I hope, and I can't wait to visit with you!
Just wondering: does this image evoke any particular thought, mood, or concept for you? I DO see what the title implies, but then, that's just me and you will have your own reaction.
Personally, I LOVE the freedom of digital art, and the "clean" process that doesn't involve paints and finishes, because I don't always have time for traditional brush and pigment painting. Both digital and real-time painting have their benefits, and one of the perks of digital is that you don't have to involve your whole studio or house in the process (the "aroma" of fresh paint DOES make it all the way to my kitchen, at times....)
Art and text copyright Lynda Lehmann. All rights reserved.
If you would like to view my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can choose from several sizes and paper types or buy my prints plain or matted and framed.
Sunday, June 28, 2009
Consciousness
I've long had a fascination with consciousness. The idea of consciousness includes concepts like ideation, mindset, attitude, memory, mindfulness, conceptualization, creativity. One can go on and on adding aspects and dimensions to any description of consciousness, and that is precisely why it fascinates me. The human experience is so unlimited and multi-dimensional, as to appear infinite. The older I get, the more I become intrigued both by my own creative drive and by the creative proclivities of people around me. Our consciousness, both individually and collectively as an evolving species, is something to celebrate!
Working with my husband on the house these past weeks, has me painting moldings and doors in my sleep! Thank goodness I can squeeze in an hour or so in the evenings, to produce some digital art. The creative act expands my mind and releases me from the ties to everyday activities, which can get pretty repetitive.
I hope you find these images to be contemplative or meditative, or at least engaging. My favorite is "Quixotic Rainbows." I enjoy the colors and the idea of patches of rainbows, moving through time. And I like the spatial relationships in this one. Which do you like the best, if any?
All images and text c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can choose from several sizes and paper types or buy my prints plain or matted and framed.
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