Of Unknown Origin: The Mysteries of the Universe

Of Unknown Origin - Image c 2012 Lynda Lehmann

Nature cloaks herself in Mystery, not revealing "why." Perhaps She knows that telling, would destroy the quest. She gives us only inklings, some fragile, small glimpses, in order to preserve her Truths. And her message to us, another paradox, is: Protect to Partake.

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In Praise of Abstraction

Metrimorphic III -  c Lynda Lehmann 

If we are going to discuss the validation of art by virtue of "skill" or "meaning," we have to give abstraction a fair shake. To my way of thinking, abstract art is more interesting (if not more beautiful) than realism, because it presents a visual experience that has no precedent in reality. It presents something totally new and is its own reality. Realism refers to a single point in time and space even when it is arresting, compelling and speaks to universals.
But abstraction can be richly layered and full of ambiguity and mystery that yields fresh nuances of visual experience with each viewing. To me, abstract art comprises a rich, multi-dimensional experience because it doesn't cater to the constraints of time and place. The new visual experience it presents is of value in and of itself, and does not require a literal meaning in the usual sense. As a matter of fact, it may call on the viewer to be a more active participant in the viewing, because it reaches beyond our usual scope of perception and lends itself to the subjective reality of each viewer. Art does not need to refer to political or religious ideologies, or even the continuum of human emotions and experience, to garner its meaning. It simply is, and therein lies its meaning. And to me, abstraction is very compelling in its visual (and emotional) richness.
As for the "skills" part of the equation, Kandinsky (among others) manifested a high level of both imagination and skill that many realists don't possess. I wanted to post some of his images to illustrate the point of this post but because of copyright issues, had to use one of my own, instead.  Compelling abstraction is difficult to achieve, often involving both concept and great discipline that match or exceed many realist paintings.  

NOTE: I first wrote this as a response to a discussion on Robert Genn's Painter's Keys site.  You can read his original letter and the responses, including mine, here.  While you'e there, you might want to sign up for Robert's thought-provoking newsletter.  
All images and text on this blog are copyrighted material, and may be used only with written permission, except where syndication rights have been granted. All other rights reserved. Please visit my primary site at http://www.lyndalehmann.com/gallery if you would like to see my acrylic paintings and more of my photography and digital art. I hope you enjoyed your visit to my blog!

The Yin and Yang of Water: Light and Shadow, Spray and Stone

Fluctuating Trunks

Spray and Stone

Amber

Shimmering Pool

Composition in Water and Stone

Taking It In

Water Pebbles

Wild Water, Sacred Stone

To me, metaphors like "The Tree of Life" or "The Perennial Stream" refer to God, to all of Creation, The One, the Universe, ALL, however you want to say it. It's the same thing: the generative power/miracle at the core of Life, that allows us to BE, as individuals and in diversity and relationship, connected to the larger scheme.

I see in all of nature (humankind included) the principle of differentiation and diversity, yet needing to, at the same time, stay aligned and empathic with The Whole.

A river flows downstream from the mountain above, as a singular, dynamic entity. But all its rhythms and patterns change as it turns, trickles, charges, and eddies over the changing terrain. As it is with the blowing leaves and the boughs on the trees.

We lose our personal power if we try to live it in a vacuum, isolated or unmindful of The Whole. Just as we lose our personal power if we attempt to guard or hoard it. We must interact, in concert with the larger truths of LIFE beyond our personal subjectivity.

I dedicate this post to all my blogging friends and especially to Max, because our discussions inspire me. You can read about paradox and duality, or Yin and Yang, at Wikipedia.

All text and images c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can buy my prints plain or matted and framed.