In Praise of Abstraction

Metrimorphic III -  c Lynda Lehmann 

If we are going to discuss the validation of art by virtue of "skill" or "meaning," we have to give abstraction a fair shake. To my way of thinking, abstract art is more interesting (if not more beautiful) than realism, because it presents a visual experience that has no precedent in reality. It presents something totally new and is its own reality. Realism refers to a single point in time and space even when it is arresting, compelling and speaks to universals.
But abstraction can be richly layered and full of ambiguity and mystery that yields fresh nuances of visual experience with each viewing. To me, abstract art comprises a rich, multi-dimensional experience because it doesn't cater to the constraints of time and place. The new visual experience it presents is of value in and of itself, and does not require a literal meaning in the usual sense. As a matter of fact, it may call on the viewer to be a more active participant in the viewing, because it reaches beyond our usual scope of perception and lends itself to the subjective reality of each viewer. Art does not need to refer to political or religious ideologies, or even the continuum of human emotions and experience, to garner its meaning. It simply is, and therein lies its meaning. And to me, abstraction is very compelling in its visual (and emotional) richness.
As for the "skills" part of the equation, Kandinsky (among others) manifested a high level of both imagination and skill that many realists don't possess. I wanted to post some of his images to illustrate the point of this post but because of copyright issues, had to use one of my own, instead.  Compelling abstraction is difficult to achieve, often involving both concept and great discipline that match or exceed many realist paintings.  

NOTE: I first wrote this as a response to a discussion on Robert Genn's Painter's Keys site.  You can read his original letter and the responses, including mine, here.  While you'e there, you might want to sign up for Robert's thought-provoking newsletter.  
All images and text on this blog are copyrighted material, and may be used only with written permission, except where syndication rights have been granted. All other rights reserved. Please visit my primary site at http://www.lyndalehmann.com/gallery if you would like to see my acrylic paintings and more of my photography and digital art. I hope you enjoyed your visit to my blog!

Art and Power: How Making Art Empowers Us

Like most people, I'm fascinated by questions about the nature of life and our place in the cosmos. As a human being, I feel all the ageless and timeless doubts of the human condition. But there's one thing I know for certain: doing art lifts me above doubt and despair and gives me joy. Being involved in creative process has helped me to say "yes" to life. In my own creativity and in other's, as well, I see glimpses of something wonderful. It's what I like to think of as "the infinite potential of the universe." It manifests in all of us, especially when we create.

For me, the activity of creating art is an affirmation of life. Experiencing "the grand mystery" gives us a feeling of joy, based on the miracle of form and the complex web of life on our planet.

Here's a short article I wrote for my blog on Absolute Arts, that was later published at Creativity Portal and in a catalog for a large artist's exhibition in India. It addresses the idea of how art gives us power over ourselves.

ART and POWER

I think most of us would agree that producing art gives us power. I see it as a power over ourselves, as opposed to power over what is outside of ourselves. It is a personal power over our own energy, perception, and motivational systems. And perhaps more important, the making of art helps us transcend the need to achieve a social equilibrium (which in my opinion, is rarely possible anyway). Instead, we are involved in a process by which we may achieve a degree of harmony within ourselves, in relation to the universe. In the dynamic state of being committed to a creative process, we do not need to steal anyone's energy, or let them steal energy from us.

The truth wears six billion faces, each with different life circumstances, a different life script, and a different mode of emotional being. For me, doing art takes me to a place from which I can accept all scripts and embrace the subjective and relative nature of truth. (This is not to imply that morality is relative, however, because murder and extortion are always wrong, no matter whose script dictates it.)

Because my own script, when involved in creative process, is so engaging to me, always varied and full of mystery, it teaches me both tolerance and hope. The bounty of creative options available to me, gives me confidence in the infinite potential of the universe, for hope, harmony, and healing. In short, it gives me joy.

I have heard it said that artists, in doing art, are participating in a God-like creation process, and indeed it is true. While we are by no means transmuted into gods by making art, we at least become his humble hand-maidens. We see glimpses of beauty and wonder in places where other people may fail to look, unearthing it at every turn. We see new relationships, both visual and metaphoric, sociological and scientific. It becomes easier for us to step back or undercut the tendency to power struggles, that so often consumes people. (The last thing we need in this weary world is more conflict, personal or generalized, to spew hatred around the globe!)

I have heard it said, also, that we artists make art in order to find love and to be loved. I think the apex of this is that in the tender connections we make to the universe, we find some degree of self-love. I think this is a balanced form of self-love that perceives the relative and tenuous nature of things, including the subjective nature of our own lives. Therefore, in my opinion, it is a mature self-love, not to be confused with narcissism. •

All text © 2006 Lynda Lehmann