![]() Masks - c Lynda Lehmann |
Wednesday, April 18, 2018
To Write or Not to Write? (Which Hat or Mask to Wear)
Sunday, July 13, 2014
A Balanced Form of Self-Love
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| The Eloquence of Dreaming - Mixed Media - Image c Lynda Lehmann |
Producing art gives us power. I see it as a power over ourselves, over our energy, perception, motivational systems. And perhaps most important, I view it as a supplanting of our need to achieve a social equilibrium (which in my mind is never really possible anyway), by a need to achieve harmony with ourselves in relation to the universe.
The truth wear six billion faces, and each has different life circumstances, a different life script, if you will, and a different mode of being. For me, doing art takes me to a place from which I can accept all scripts and embrace the subjective and relative nature of truth. Because my own script is to me so engaging, at times enthralling, and always varied and full of mystery, it teaches me both tolerance and hope. It gives me confidence in the infinite potential of the universe, for hope, harmony, and healing. In short, it gives me joy.
I've heard it said that artists, in doing art, are participating in a God-like Creation process, and indeed it is true. While we are by no means transmuted into gods by the creative process, we at least become His humble hand-maidens. We see glimpses of beauty and wonder in places where other people may fail to look, unearthing it at every turn. We see new relationships, both visual and metaphoric, sociological and scientific. And this is our reward for moving away from the more petty power struggles that so often escalate into real and dangerous conflicts around the globe.
I've heard it said, also, that we artists make art in order to find love and to be loved. I think the apex of this is that in the tender connections we make to the universe, we find some degree of self-love. I think this is a balanced form of self-love that perceives the relative and tenuous nature of things, including the subjective nature of our own lives. Therefore, in my opinion, it is a mature self-love, not to be confused with narcissism.
Thursday, July 26, 2012
The Fabric of Earth
Wednesday, June 6, 2012
Celebrating the Ubiquitous Beauties of the World: Artistic Impressions by Lynda Lehmann
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| Photo c Lynda Lehmann. |
Monday, April 30, 2012
Art Creates Hope
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Art Creates Hope - Image and Text c Lynda LehmannI dedicate these words and this image to all the creative peopleI know, who keep hope and love alive in their hearts! |
Saturday, November 12, 2011
The Spark
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| Lake at Dawn - Image c Lynda Lehmann |
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| Solitude - Image c Lynda Lehmann |
Tuesday, May 17, 2011
A Pale Beauty, Mindfulness, and Being
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| Pale Beauty - Image c Lynda Lehmann |
Thursday, January 8, 2009
"Colliding Orbs," My New Abstract Expressionist Painting

This is my latest acrylic painting. It's 24 x 36 inches, and titled "Colliding Orbs." I was going to call it "A Stitch in Time" because it reminded me of agitated clocks and a vision of time run amuck, which might have been a more fitting title when considering the chaos in our world. What do you think?
When I paint, I'm after the physical, kinesthetic experience of moving around a surface and applying pigment to it, and watching what evolves. It's like a mad dance or ritual color-celebration, in which I pursue a new visual experience. I'm not trying to replicate anything from our everyday world, but rather, to immerse myself in a novel sensory experience that will yield an equally unpredictable product with its own life and totality. It's this evolving and dynamic process of finding color, composition, and form in new arrangements, that gives me excitement and makes my days interesting.
Wikipedia defines Abstract Expressionism as:
Abstract expressionism was an American post–World War II art movement. It was the first specifically American movement to achieve worldwide influence and also the one that put New York City at the center of the art world, a role formerly filled by Paris. Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine Der Sturm, regarding German Expressionism. In the USA, Alfred Barr was the first to use this term in 1929 in relation to works by Wassily Kandinsky.[1]
Technically, an important predecessor is surrealism, with its emphasis on spontaneous, automatic or subconscious creation. Jackson Pollock's dripping paint onto a canvas laid on the floor is a technique that has its roots in the work of Max Ernst. Another important early manifestation of what came to be abstract expressionism is the work of American Northwest artist Mark Tobey, especially his "white writing" canvases, which, though generally not large in scale, anticipate the "all over" look of Pollock's drip paintings.
Abstract expressionism has many stylistic similarities to the Russian artists of the early twentieth century such as Wassily Kandinsky. Although it is true that spontaneity or the impression of spontaneity characterized many of the abstract expressionists works, most of these paintings involved careful planning, especially since their large size demanded it. With artists like Paul Klee, Wassily Kandinsky, Emma Kunz, and later on Rothko, Barnett Newman and Agnes Martin, abstract art clearly implied expression of ideas concerning the spiritual, the unconscious and the mind.[3]
I'm one of those people who finds fascination in the spiritual and subconscious aspects of art-making. I paint for the love of it, and I try to leave the critical adult behind me in favor of joy. For me, the joy of painting evokes the childhood happiness of free expression, exploration, and spontaneity. It provides the stimulation and excitement of a unique experience. In this case, THE VISUAL EXPERIENCE. I have capitalized this phrase because it so succinctly defines my goal and describes the gratification I feel in the process of putting pigment on canvas.
How do you feel about Abstract Expressionism or about abstract art in general? Does it excite your eye and resonate for you? Who are your favorite artists, abstract or otherwise?
Detail of "Colliding Orbs - Image c Lynda LehmannImage and text c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can choose from several sizes and paper types or buy my prints plain or matted and framed. >
Saturday, December 27, 2008
Three New Digital Painting Fantasies
Sunlight Through the Clerestory
Rage of the MinotaurEven with the sparkle of the holidays, it's good to step back from the partying, over-eating, interactions and distractions, to get a sense of who we are. For me, making any kind of art fills the bill. It's sure beats stuffing on holiday goodies, for satisfaction. For me, it's a kind of euphoria that's always attainable. And will be, for as long as I have my faculties.
So let me take this opportunity to wish you all HAPPY HOLIDAYS and every imaginable blessing in the coming year. May all your dreams come true, and may you feel joy in your pursuits, as I do in making images.
All images and text c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can choose from several sizes and paper types or buy my prints plain or matted and framed.
Wednesday, June 27, 2007
My Interview at Creativity Portal

"Creativity Portal" online is featuring me in an interview by Molly Childers, as part of her series on creative people in the arts. It's about my creative journey and how I feel the process has effected me.
Regarding the result of Molly's and my collaboration, Chris Dunmire, publisher of Creativity Portal, has said:
"In my opinion, this interview is one of the most inspiring testimonies to the rewarding, spiritual depths one can experience on the path of being an artist....I don't want anyone to miss reading this--I've made it Creativity Portal's home page feature this week."
The interview will also be featured in Creativity Portal's July 1 newsletter. My thanks to Chris Dunmire and Molly Childers for inviting me to be part of this series. Here is the link, if you would like to read it.
http://www.creativity-portal.com/bc/molly.childers/careers-lehmann.html
You can also read the write-up Chris has given me on her personal site, at http://www.chrisdunmire.com/, if you like.
The above painting is "Cosmos," acrylic on canvas and for sale at www.absolutearts.com/lyndalehmann. Image c Lynda Lehmann.
Thursday, April 26, 2007
Art and Power: How Making Art Empowers Us

Like most people, I'm fascinated by questions about the nature of life and our place in the cosmos. As a human being, I feel all the ageless and timeless doubts of the human condition. But there's one thing I know for certain: doing art lifts me above doubt and despair and gives me joy. Being involved in creative process has helped me to say "yes" to life. In my own creativity and in other's, as well, I see glimpses of something wonderful. It's what I like to think of as "the infinite potential of the universe." It manifests in all of us, especially when we create.
For me, the activity of creating art is an affirmation of life. Experiencing "the grand mystery" gives us a feeling of joy, based on the miracle of form and the complex web of life on our planet.
Here's a short article I wrote for my blog on Absolute Arts, that was later published at Creativity Portal and in a catalog for a large artist's exhibition in India. It addresses the idea of how art gives us power over ourselves.
ART and POWER
I think most of us would agree that producing art gives us power. I see it as a power over ourselves, as opposed to power over what is outside of ourselves. It is a personal power over our own energy, perception, and motivational systems. And perhaps more important, the making of art helps us transcend the need to achieve a social equilibrium (which in my opinion, is rarely possible anyway). Instead, we are involved in a process by which we may achieve a degree of harmony within ourselves, in relation to the universe. In the dynamic state of being committed to a creative process, we do not need to steal anyone's energy, or let them steal energy from us.
The truth wears six billion faces, each with different life circumstances, a different life script, and a different mode of emotional being. For me, doing art takes me to a place from which I can accept all scripts and embrace the subjective and relative nature of truth. (This is not to imply that morality is relative, however, because murder and extortion are always wrong, no matter whose script dictates it.)
Because my own script, when involved in creative process, is so engaging to me, always varied and full of mystery, it teaches me both tolerance and hope. The bounty of creative options available to me, gives me confidence in the infinite potential of the universe, for hope, harmony, and healing. In short, it gives me joy.
I have heard it said that artists, in doing art, are participating in a God-like creation process, and indeed it is true. While we are by no means transmuted into gods by making art, we at least become his humble hand-maidens. We see glimpses of beauty and wonder in places where other people may fail to look, unearthing it at every turn. We see new relationships, both visual and metaphoric, sociological and scientific. It becomes easier for us to step back or undercut the tendency to power struggles, that so often consumes people. (The last thing we need in this weary world is more conflict, personal or generalized, to spew hatred around the globe!)
I have heard it said, also, that we artists make art in order to find love and to be loved. I think the apex of this is that in the tender connections we make to the universe, we find some degree of self-love. I think this is a balanced form of self-love that perceives the relative and tenuous nature of things, including the subjective nature of our own lives. Therefore, in my opinion, it is a mature self-love, not to be confused with narcissism. •
All text © 2006 Lynda Lehmann
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