Digital Fantasies with Lights and Orbs

Blue Dream

Circular Reverie

Fractious Orbs

Gray on Gray

With the chaos of construction going on around me, and my attempts to help my husband and also hold down the fort in other ways, I find I'm having little time to blog and even less time for art. I'm looking forward to August when we might be past this phase. Maybe at that point I'll have more time for my interests, and hubby will get to take a break. I hope to be painting by August or September, as well.

Here are some digital pieces I created wholly in Photoshop, using a variety of filters. The one at the top is the fourth in this series, and "Gray on Gray," which you see at the bottom, is the first image I created. Essentially, all four are derived from the same basic image. I could keep on going with multiple variations and probably will. But for the purpose of this post I thought it would be a good idea to show you just four images in progression, all with the same composition as a source.

One cannot help but be fascinated by the infinite possibilities and flexibility of digital art. Painting in real time involves a variety of media and leaves the tracks of the artist's hand. Digital art may lack that dimension of sensuousness and physicality, yet it has its own options that one could not so readily achieve, with brush and pigment.

Which of these images do you like the best, if any? Your feedback is important to me.

Please visit http://www.lyndalehmann.com if you would like to see more of my art or the links to my other sites. All images and text c Lynda Lehmann.

HQ - Ti lascio una canzone - 'O sole mio: Trio Ginoble-Boschetto-Barone - Live

A LITTLE INSPIRATION FOR YOUR SUNDAY MORNING OR EVENING....

The River Wakens

Morning on the River - c 2009 Lynda Lehmann

River stirs to morning light.

She yawns, and stretches--sleek silver-blue--

past distant field and copse.

Though smoothly, she quickens,

unfolds to light,

flowing past verdant hills and tawny ledges,

in glimmering contentment.

In the Shade of the Far Bank - c 2009 Lynda Lehmann

Text and images c 2009 Lynda Lehmann. Please visit me at www.lyndalehmann.com if you would like to see more of my photos, digital art, and abstract expressionist paintings.

"B" is For Barnside Beauty

One day last week during one of my routine "errand tours." I noticed the sunlit facade of a weathered old barn. I was stricken with the stunning variations that caught my eye, from the color changes to patterns and textural variation, in the wood. This facade was indeed like a permutation on the theme of aged wood. I was mesmerized.

This post shows several views of the same building, composed differently. The building has been patched, doctored, improvised upon, and altered through the decades, giving it even more interest. The original slats of siding are punctuated by the addition of glass, wire, and plexiglass, making it a repository of makeshift repair methods. You will note that none of these attempts detracts from the battered, antique quality of the wood.

I think I would define beauty as an aesthetic experience in which one's attention and perception are arrested and jolted out of everyday context and functioning, by a sensory stimulus (in this case, a visual) that causes one not just to pause, but to feel something akin to awe. Embedded in this kind of experience is, perhaps, a recognition of what C. S. Lewis called the experience of the "numinous."

C.S. Lewis was born into a Christian family. He became an atheist before he turned agnostic. At the age of 33 he became a believer, through exactly this kind of experience (couched in a deep joy through his visual and other sensory apparatus) which he considered to be evidence of a Greater Being, or God. He is perhaps best know for his children's series "The Chronicles of Narnia," but his writings on Christian religious views are extensive beyond his fiction works. My feeling when reading a few of his books was not that he was focused so much on a particular (in this case, Christian) view of the universe, so much as on the prevalence of what seem like miracles: phenomena of awesome beauty that reveal a great procreative power at the center of the universe.

C. S. Lewis' books are not easy reading, but I would recommend them to anyone interested in exploring religious and philosophical viewpoints.

Please note that on those occasions when I blog about religion or politics, I'm not espousing any particular belief system, merely exploring ideas in the spirit of sharing and communication.


All text and images c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can buy my prints plain or matted and framed.

The Yin and Yang of Water: Light and Shadow, Spray and Stone

Fluctuating Trunks

Spray and Stone

Amber

Shimmering Pool

Composition in Water and Stone

Taking It In

Water Pebbles

Wild Water, Sacred Stone

To me, metaphors like "The Tree of Life" or "The Perennial Stream" refer to God, to all of Creation, The One, the Universe, ALL, however you want to say it. It's the same thing: the generative power/miracle at the core of Life, that allows us to BE, as individuals and in diversity and relationship, connected to the larger scheme.

I see in all of nature (humankind included) the principle of differentiation and diversity, yet needing to, at the same time, stay aligned and empathic with The Whole.

A river flows downstream from the mountain above, as a singular, dynamic entity. But all its rhythms and patterns change as it turns, trickles, charges, and eddies over the changing terrain. As it is with the blowing leaves and the boughs on the trees.

We lose our personal power if we try to live it in a vacuum, isolated or unmindful of The Whole. Just as we lose our personal power if we attempt to guard or hoard it. We must interact, in concert with the larger truths of LIFE beyond our personal subjectivity.

I dedicate this post to all my blogging friends and especially to Max, because our discussions inspire me. You can read about paradox and duality, or Yin and Yang, at Wikipedia.

All text and images c Lynda Lehmann. If you would like to view more of my art or make a purchase, please visit Lynda Lehmann Painting and Photography or my gallery at Imagekind, where you can buy my prints plain or matted and framed.